Congratulations to the 31 students who successfully defended their dissertations in academic year 2012-2013.
Name |
Title of Dissertation |
Supervisor |
Arnett, James |
Eliot’s Spinoza: Realism, Affect, and Ethics |
P.Hitchcock |
Basu, Balaka |
Neverending Stories: Unauthorized Continuations, Fictional Realities, and the Long-Form Narrative from 1590 – 2011 |
C.Hintz |
Belli, Jill |
Pedagogies of Happiness: What/How Self-Help, Positive Psychology, and Positive Education Teach about Well-Being |
C.Hintz |
Burgers, Johannes |
Conspiratorial Modernism: Modernism and Conspiracy Theory in Proust, Joyce, Faulkner and Musil |
M.Dolan |
Engebretson, Alexander |
“The Dear Ordinary”: The Novels of Marilynne Robinson |
G.Joseph |
Gradon, Lesley |
The Switch: Freedoms in Sexuality, Desire, Gender and Identity |
L.Di Iorio |
Heim, Heather |
The Wild Child: Children are Freaks in Antebellum Novels |
H.Hoeller |
Hoff, James |
Endless Assents: John Dewey, Aesthetic Experience and the Promise of American Poetry |
J.Richardson |
Holl, Jennifer |
Stars Indeed: The Celebrity Culture of Shakespeare’s London. |
M.DiGangi |
Irby, John Archer |
Mark Twain’s Autobiographies: Which Was the Truth? |
F.Kaplan |
Kapetanakos, Demetri |
Keywords’ for post-ImperialBritain: (African-)American Routes to Black British Cultural Studies |
R.Reid-Pharr |
Kennedy-Epstein, Rowena |
Hybrid Aesthetics and the Politics of the Archive: Muriel Rukeyser’s Spanish Civil War |
A.Alcalay |
Krause, Timothy |
Twentieth-Century Catalogs: The Poetics of Listing, Enumeration, and Copiousness in Joyce, Schuyler, McCourt, Pynchon, and Perec |
W.Koestenbaum |
Machado, Robert |
Metachromatics: Applied Color Across Media in the Age of Composite Pictures (1839-1935) |
W.Koestenbaum |
Maxwell, Grant |
How Does It Feel?: Affectivity and Rationality in the Birth and Early Development of Rock and Roll |
M.Dolan |
Mock, Erin Lee |
“It was easy”: Managing the American Male Psyche, 1944-59 |
M.Dolan |
Moore, Emily |
Embedded Forms and the Progressive Wonders of The Winter’s Tale |
R.McCoy |
Nedeljkov, Nikolina |
Creation, Resistance, and Refacement: Postfuturist Storytelling, Cultural Flows, and the Remix |
P.Hitchcock |
Oksman, Tahneer |
“How Come Boys Get to Keep Their Noses?”: Women and Jewish American Identity in Contemporary Graphic Memoirs |
N.K.Miller |
Pulda, Molly |
Sympathetic Ink: Memoirs of Family Secrets |
N.K.Miller |
Raden, Audrey |
As Long as She Cracks She Holds: Thoreau’s Anticipation of Dying |
D.Reynolds |
Robertson, Margaret |
Skin Game: Race and the Confidence Man in Nineteenth-Century American Literature |
D.Reynolds |
Samalin, Zachary |
The Masses Are Revolting: Victorian Culture and the Aesthetics of Disgust |
J.Brenkman |
Schiebe, Mark |
The Specter of Art in the American Business Novel: 1885-1917 |
M.Dickstein |
Schneiderman, Jason |
Violation and Volition: Representations of the Molested Boy in the Postwar Gay American Novel |
W.Koestenbaum |
Schwartz, Jesse |
Genetic Revolutionaries: American Socialism, the Russian Revolution, and the Production of the Radical Immigrant, 1873-1929 |
P.Hitchcock |
Stanford, Nichole |
“Good God but you smart!” A Case Study of the Linguistic Assimilation of the Cajuns of Southwest Louisiana |
R.Mlynarczyk |
Tayson, Richard |
Ghostly Language and Liminal Experience: William Blake, Romantic Discourse on the Sublime, and American Punk Sound |
A.Vardy |
Traps, Yevgeniya |
Stimulating Texts: The Politics and Aesthetics of Arousal in Victorian Culture and Literature |
W.Koestenbaum |
Weiser, Karen |
Self-begot, Self-rais’d”: Elective Orphanhood in American Novels, 1790-1852 |
W.Kelly |